I am quite enjoying the Celtic music sessions, which I attend as often as I can. I’m getting much better at the bass buttons (and physically remembering the distance from E to C—5 rows!). I need to work on the right hand, though. Mine is a lady’s piano accordion, so the keys are smaller, but my hands aren’t exactly dainty. My fingers get tangled up in each other.
And with this new accordion activity my willingness to part with it for repairs has somewhat diminished. Sure the bellows are leaky, the straps are uncomfortable, and the keyboard is uneven, but… I’m having so much fun. And I’m afraid of what the ultimate cost will be. (Perhaps I should look into getting a new one… but my current one has sentimental value.)
I need to dedicate time to practicing outside the session, though—but finding the time and motivation to has been challenging. Now that I’m back into Japanese, my attention is even more divided. Add to that the fact that a couple weeks ago a friend who reviewed the third draft of UNBoaTCfAFHV emailed me some chapters from her own book looking for feedback. Outside of all this I still have my full-time job (and I may be seeking extra employment soon) and grad school (online), and… ugh. I’m getting tired just thinking about it all.
Busy week (and weekend). A few things of note:
- I went to another anime/nerd convention with pals over Labor Day weekend and we had so much fun watching and interacting with cosplayers that we made a mutual commitment to actually cosplay in the next year or so. The next day saw us designing cosplays and trawling fabric and craft stores for supplies and materials. We’re trying to keep each other motivated because these projects could easily fall by the wayside into a pile of craft foam and broadcloth, and this in particular is something we’re pretty excited about. (We’re going to papier-mâché an exercise ball and put googly eyes on it. …It doesn’t make that much sense even in context, but the idea left us in tears with laughter and we hope when it is completed it will amuse others, as well.)
- At the above con I impulse-bought an ocarina (a gorgeous 12-hole Brio from St. Louis Ocarina’s booth), which I am currently enjoying annoying the cat with. It has a lovely full sound, especially in the low notes. Fingering is a little tricky, as is making sure my fingers are covering the holes all the way.
- On Wednesday I gathered all the acoustic musical instruments I own (accordion, harp, ukulele, ocarina), plugged in my $7 microphone I bought when I was abroad to use while Skyping my family, opened up Audacity, and played around for a good two hours. No, I am not going to be a producer anytime soon. But I had fun.
A supportive friend accompanied me to the Cotati Accordion Festival this weekend. It was my first time and I thoroughly enjoyed myself. The atmosphere alone was worth the price of admission. Everyone was there because they loved music and wanted to have fun with it, and it showed. I also bought a tiny handcrafted ceramic chicken figurine that reminds me of the children’s book character Minerva Louise and it gives me great happiness every time I gaze upon it.
I left my accordion at home for this one, but maybe not next year.
“I should really sign up for lessons” is something I say a lot. Currently the only musical instrument I play that I’m taking lessons for is the djembe, and I can see the difference in how I play that vs. how I play piano, accordion, folk harp, and ukulele. The last time I took piano lessons was 2004, and I stopped accordion lessons in 2012 when I left the country. Since then I haven’t really pushed myself on either instrument. I used to be able to do scales on the bass buttons on the accordion, for example—now at the Celtic music sessions I mostly oom-pah (or oom-pah-pah) the bass in a very vanilla, uninteresting way. I’ve never had a teacher for folk harp and ukulele, and my experience with them has been pretty much messing around plus the occasional YouTube tutorial. I can’t tell if this is helping me develop my self-expression or holding me back. Maybe both.
Thing is… lessons are expensive, and I’m not exactly rolling in dough. Djembe is a group lesson, so that one’s affordable, but for everything else it’d probably have to be one-on-one. For the unusual instruments it’d be even more expensive (and I’d probably have to travel).
Dunno, just something I’ve thought about as I’ve plucked my harp and strummed my ukulele this week. Guess I’ll just keep going my own pace till I find opportunities and means to learn from real people.
On a related note, the Cotati Accordion Festival is coming up, and while that’s a bit of a drive for me it’s still something I intend to check out.
I accomplished a lot in the past week but I’m kind of in a rush, so just a few quick things:
- I went back to the Celtic music session yesterday with my accordion and did a lot better (though still not amazing; but hey, practice really works!).
- I may have a lead on a harp teacher, or a harp community, at least!
- I have a passable third draft! Just need to find time to get down to the copy shop and have it printed and spiral-bound.
Last Tuesday night I excitedly and painstakingly transcribed the chords for the extended version of Kass’s theme I got all excited about a few weeks ago. It was 11:00 and I have neighbors, so I didn’t pull out my actual accordion; I just used a crappy keyboard from when I was a kid with the volume turned way down to confirm them. I’d had trouble in transcribing it previously, but discovered that I had just been failing to recognize diminished chords. Once I got those in there, I thought I had a pretty faithful transcription.
And then Wednesday morning I pulled my accordion out and made a horrible discovery.
My accordion does not play diminished chords on the left hand.
It has six bass rows—counterbass, bass, major, minor, dominant 7th… but whatever the sixth row is, it’s not diminished. (I think it may be augmented?) Based on my limited knowledge and preliminary Internet research, this seems to be nonstandard. That row is supposed to be diminished chords. I can’t even fudge a diminished chord with another key’s dominant 7th since my accordion’s dominant 7th bass buttons play the root.
I’ll have to ask about this when I take it in. Unless a reader with accordion knowledge happens upon this blog and has an idea of what’s going on here?
I took a leap today and brought my accordion to a local Celtic music session that welcomes beginners, something I’ve been wanting to do for a while.
Everyone was friendly, but as soon as the music started I found myself staring at the most eighth notes I’ve ever seen in my life (this group seems to like very fast jigs and reels). I ended up not playing most of the songs, and leading one very awkward rendition of “The Ash Grove” that I kept forgetting was in G, not C. My sight-reading is crap—and let’s face it, my accordion technique has gotten SUPER rusty.
I spent most of the session with alternating feelings of determination and immense shame that I’m not as good at my instrument (instruments, actually—I’m not particularly good at any of them) as I want to be. I tried to avoid wallowing in the fear that I’m destined for mediocrity. (That’s a self-fulfilling prophecy if ever there was one.) At any rate, I was pretty embarrassed at how much I couldn’t do.
And yet, at the end, people came up to me and expressed hope that I’d return, and that they’d be able to hear me play more. Bless them. Now I have an accordion case full of sheet music to practice before the next session in two weeks.
And then I’ll call the accordion repair guy, promise! I just need the accordion for another month or so. Hopefully it won’t deteriorate any further till then… but it did last forty years in a garage before it came into my hands.
Meanwhile I need to tend to my novel. I depart to visit my friends in less than a month, and those rewrites ain’t gonna… rewrite… themselves.
A dear friend is coming to visit for a few days this week, so I spent much of the past week stressing out about cleaning et cetera. Nothing like an impending houseguest to make you look at your place of residence and realize oh crap, this place is a dump! (It’s not actually that much of a dump. But it does need to be vacuumed.)
So that hasn’t left much time for pursuing creative endeavors (and I’m not expecting to make a whole lot of progress by next week, either). But I did retrieve my old accordion from my parents’ house today.
I started playing accordion in 2010 but stopped in 2012 when I left to live abroad for a few years. Before my departure I took it in to a local accordion shop to have it examined, and while the technician was impressed that it was in such good condition (it had been sitting in a garage for 40 years before it came into my possession) she recommended that it be worked on before being used to any great extent. It would have been several hundred dollars’ worth of repairs* so I put it back in its case and put it in a closet, where it remained until I returned in 2015. Even after that I only pulled it out sporadically, not wanting to cause any more damage until I had the money to spare to fix it up.
Then I started playing Breath of the Wild and heard Kass’s theme, a pleasant little accordion ditty that made me want to stop in the middle of playing and listen to it for a while. And then it made me want to grab an accordion and try to play it by ear.
Video game music has had a big influence on my since I was quite young, actually. I remember thinking the credits theme from Super Mario World was one of the prettiest things I’d ever heard. (And that was back when video game music was still chiptunes that drove my mother up the wall.) When I was in fifth grade and took up clarinet in band I would hang out with my friends after band practice and try to play the ocarina songs from Ocarina of Time. And one of the first songs I learned to play on the accordion was “London 3” from Professor Layton and the Unwound Future. A very large portion of my music library is music from OC ReMix (which I’ve been following/lurking on since 2004) and other video game covers and rearrangements. Despite never having successfully finished Chrono Trigger or any Final Fantasy game, I have a special fondness for the music of Yasunori Mitsuda and Nobuo Uematsu.
So Kass’s theme is next on the list, though I really should look into that accordion repair. But right now I need to focus on cleaning the kitchen.
*Still cheaper than getting a new accordion, which run in the thousands of dollars for a well-made one.
The performance for my West African percussion class is coming up soon, and we’ve doubled down on rehearsals. It’s getting pretty intense, but I really enjoy the group I’m in. Everyone’s been kind and welcoming, and it turns out several of them are artists or musicians in another way. I guess that shouldn’t surprise me.
Outside rehearsing, though, Breath of the Wild continues to be an addictive time sink. I intend to practice better self-control this week.
“Ukulele” was not originally on my How I Will Go Bankrupt list. I thought it would be too similar to guitar, which I did try some years back when a used one made its way into my hands but ultimately gave up. I was used to instruments that had a keyboard or at least a somewhat chromatic or diatonic layout that I could play around with and improvise on—and necked instruments seemed inscrutable. I never learned anything past C major, G major, and F major. Also pressing down on the steel strings nigh shredded the fingertips on my left hand.
Yet this weekend certain circumstances came together—namely, that (1) my tax refund is coming soon, (2) I’ve been watching a lot of Steven Universe lately, and (3) I found myself at local music stores staffed by friendly people who showed me that the ukulele is not as intimidating as I’d feared.
Now I own a little soprano ukulele, and I’m kind of in love with it. As an acquaintance of mine who plays told me once, “you can’t not be happy while playing the ukulele.” It’s true.