The surprising profundity of an ostensible banality.

“Believe in the beauty of your dreams.”

I think it was my 14th or 15th birthday that my good friend gifted me with a blank journal that had such a sentiment printed across the cover. I decided to use it as a dream journal, and of course, as dreams generally go, not many were particularly “beautiful.”

In my teenage, above-all-this-nonsense cynicism, I concluded that it was just an empty but nice-sounding platitude, like “follow your heart” or “be true to yourself.” “Believe in the beauty of your dreams,” pssh. Yes, it does a lot of good to believe in the beauty of Bill Nye blowing up your elementary school to fix a time paradox, or the beauty of arriving at the airport for a flight only to realize you forgot to put on pants.

The journal went into a drawer around the time I left for college and I eventually forgot about the whole thing. But recently that phrase has popped back up in my mind, suddenly making a lot of sense.

I don’t always believe that my dreams are worth pursuing. Some days I think about the novel I’m writing and cringe. What an embarrassment it will be if anyone ever reads it. Surely it will only serve to prove how little I understand anything about the world, or people, or relationships.

Or I think about the cosplay I’m still working on–how the fabric is slightly the wrong color, and I don’t have the right body type for it. People are gonna see me wearing it and just feel sorry for me.

These feelings grow stronger the longer I neglect whatever project it is. Accordingly, my desire to pick up that project again diminishes further and further. I have, in essence, ceased to believe in the beauty of my dreams.

So I suppose for the sake of not abandoning one’s dreams altogether, it is in fact necessary to believe in their beauty. It’s not like anyone else is gonna do it for me, especially when I give my novel’s working title as Untitled Novel Based on a Talking Cat from America’s Funniest Home Videos and the most I’m willing to share about my friends’ and my upcoming group cosplay is that “we’re gonna papier-mâché an exercise ball.”

The best way I’ve found to do this is to actually do the work. Sit down with it, wrestle with it, puzzle it out. Because as I do this, it subconsciously reinforces the idea that this dream is worth all the time and effort I’m putting into it. It becomes a virtuous circle, and also shuts up that 8th-grade mean-girl inner critic voice for a while.

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Lessons from Golden Orchestra!.

I saw a truly wonderful movie on the plane flying home from visiting family over Thanksgiving called Golden Orchestra!. It’s a Japanese movie (original title オケ老人! Oke Roujin!) that has not been released internationally, so I don’t know if I’ll be able to see it anywhere that’s not a Delta flight in the next few months. But I still find myself thinking about it weeks later.

It’s the story of junior-high math teacher Chizuru (played by Anne Watanabe), formerly a violinist in her student days, whose passion for the instrument is reawakened after viewing a performance by the Umegaoka Philharmonic Orchestra. Later she looks them up on the Internet to find out more about them, but misremembering the name of the group, types in “Umegaoka Symphony Orchestra” into the search box instead. Seeing that they are looking for new members, she eagerly calls them up to request an audition, only to find out upon her arrival that this is not the orchestra she was looking for.

I couldn’t find any English-subbed clips or trailers on YouTube, but it’s pretty easy to figure out what’s going on in the clip at the beginning of this one:

Chizuru finds herself torn between the earnest-but-disorganized “Ume-sym” and her desire to join the straitlaced, elite “Ume-phil,” and her journey is further complicated by an unexpected opportunity to become conductor of Ume-sym and the arrival of a famous French conductor to perform with Ume-phil. It’s a sweet film with something to say about pursuing your passion, plus some truly funny moments with the geriatric members of Ume-sym.

I worry that with my myriad musical interests I’m naught more than a dilettante; a “filthy casual,” if you will. I’m not interested in becoming a virtuoso whose life revolves around an instrument. I play piano/accordion/harp/djembe/ukulele/ocarina because they bring me joy. But a little more practice and discipline won’t hurt, either.

Another defense of children’s fantasy.

I was at the public library some weeks ago, as is my wont, when I stumbled upon an intriguing volume in the juvenile nonfiction. (Don’t knock juvenile nonfiction. Rhoda Blumberg’s Commodore Perry in the Land of the Shogun is the best account of the Opening of Japan I’ve ever read.) It was called The Wand in the Word: Conversations with Writers of Fantasy, compiled and edited by Leonard S. Marcus, and featured interviews with such luminaries of children’s fantasy as Brian Jacques, Ursula K. Le Guin, Philip Pullman, and Jane Yolen.

As the interviews in the book are organized by the subject’s last name, the first one I read was with Lloyd Alexander (who passed away in 2007, the year after The Wand in the Word was published). Everything he said resonated with me, and I found myself wanting to know more about his writings. I don’t know how I missed him in my childhood reading. I loved fantasy, especially C. S. Lewis’ Chronicles of Narnia, the works of Roald Dahl, The Phantom Tollbooth, Harry Potter and the Sorcerer’s Stone, Ella Enchanted, Artemis Fowl… and yet somehow I got through my entire childhood and adolescence without having so much as heard of Alexander’s Chronicles of Prydain. So last week I made sure to pick up The Book of Three, the first in the series, when I visited the public library again.

I’m only about halfway through, but I love everything about it. Un-self-conscious, pure, classic children’s fantasy, without any of the “modern twists” or ironic wink-wink-nudge-nudges that I find in a lot of contemporary children’s fantasy.* Kids these days are too cool for taking fantasy worlds seriously, I guess.

From the author’s note prefacing The Book of Three:

The chronicle of Prydain is a fantasy. Such things never happen in real life. Or do they? Most of us are called on to perform tasks far beyond what we believe we can do. Our capabilities seldom match our aspirations, and we are often woefully unprepared. To this extent, we are all Assistant Pig-Keepers at heart.

Aren’t I just.

*One notable exception that comes to mind: Catherynne M. Valente’s The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. Oh, and another: Liesl & Po by Lauren Oliver. There are more, but I can’t think of them at the moment.

Out of my depth?

Last week I was out of town, and this week I was dealing with a packed schedule and a beast of a 10-page paper for school, so a late post this week.

For as little work as I’ve been able to do, ideas for the sequel to UNBoaTCfAFHV have been flying fast and loose in my brain lately. I’ve jotted most of them down, but there’s always that fear that once I try to flesh them out they’ll reveal themselves as the melodramatic, hackneyed things they are. Like when you wake up from a dream you think was beautiful and emotionally gripping and then you get your morning coffee and start your morning commute and realize… no. It was weird and didn’t make a whole lot of sense on any level.

I’m fending off the notion that this novel I’m in over my head. What do I know about the stuff I’m writing, anyway? And yet, I know that if I don’t push through and finish the dang thing, I’ll be more miserable than if I’d at least given it my best shot.

Relevant, from author Shannon Hale’s blog in November 2011, when she was writing what would become the excellent Princess Academy: Palace of Stone:

The rewrites are a struggle right now. Sometimes I wish writing a book could just be easy for me at last. But when I think about it practically, I am glad it’s a struggle. I am (as usual) attempting to write a book that’s too hard for me. I’m telling a story I’m not smart enough to tell. The risk of failure is huge. But I prefer it this way. I’m forced to learn, forced to smarten myself up, forced to wrestle. And if it works, then I’ll have written something that is better than I am.

“Write what you know” is for sissies.